Santa Elena de Uairen, December 18th, 2014. (Venezuelanalysis.com) – US entertainment channel MTV has signed a contract with a Venezuelan media group to purchase extensive footage of the violent anti-government protests that wracked the South American nation earlier this year, to be featured in the new reality series Rebel Music.
The footage, captured by citizen reporters with GoPro cameras, show masked and shirtless men throwing handmade grenades and wreaking general havoc in a coordinated effort to force president Nicolas Maduro’s resignation that lasted from February to May this year.
43 people were killed during that time, the majority while trying to clear rubbish from or cross the barricades set up by demonstrators. Numerous public institutions including hospitals, universities, and transportation agencies were also burnt down in protest.
Reporte Confidencial became known for editing the GroPro material nightly, adding in a pumping dubstep track befitting a London club scene, and posting the finished videos to YouTube, where they received thousands of views from around the world.
It is this material MTV now seeks to own.
The reality show Rebel Music claims to be inspired by young people who “are raising their voices to demand change for a better future…. often putting their lives on the line,” according to the show’s website.
With this premise, many Venezuelans fear the show’s narrative will grant hero status to those hardcore protestors- whose tactics were so violent they effectively drove away a majority of opposition supporters, according to polls.
Furthermore, as the White House approves sanctions against Venezuelan government officials, others accuse the MTV program of dovetailing too neatly with US foreign policy.
“The series seems to mix legitimate struggles of people who fight to keep their identities alive, or women who feel threatened by religious laws, in contrast with the protests of Venezuela and Iran, countries whose oil wealth the United States seeks to control,” Venezuelan political analyst Luigino Bracci wrote in an op-ed for Caracas newspaper Alba Ciudad last week.
The series, which first aired last month, will also feature voices of dissent in Myanmar, Iran, Senegal, Turkey and US Native American communities.
Bracci also opined that the segments seem carefully selected to avoid featuring any challenge to the United States government or the global capitalist system.
“To distract us from the protests of Ferguson, Mexico, Greece and Madrid, there is nothing better than directing our sights elsewhere,” he said.
The US media has made no effort to hide its contempt of Venezuela’s socialist government since the Hugo Chavez’s election in 1999, while Chavez, in turn, repeatedly accused Washington of funding subversive movements to remove him from office.
Shepard Fairey and USAID
Bracci also pointed out the paradoxical use of red stars and other archetypal communist symbols, which he attributes to the show’s executive producer, Shepard Fairey.
Fairey is the pop art empresario behind the OBEY campaign and the red and blue stencil portrait of Barack Obama, which featured the word HOPE and was used universally throughout the US president’s initial campaign.
Though he calls himself apolitical, Fairey has been criticized for reproducing communist Cuban and Korean poster art with slight twists and selling them as his own. In a 2008 interview with the magazine Mother Jones, reporter Liam O’Donoghue also called the artist out on appropriating images from social movements, usually created by artists of color, and stripping them of their political messages.
In a promotional video, Rebel Music features Venezuelan reggae artist OneChot whose 2010 video for the English-language single “Rotten Town” generated controversy for its depiction of Caracas as an Inferno of crime and murder, replete with images of dead and dying children.
Though the reggae singer also claims to abstain from politics, his music is more popular with Venezuela’s privileged class, the same sector that widely supports the opposition.
“You are not free of violence anywhere. That is why I fight for change in Venezuela,” OneChot says to the MTV cameras.
While many Caracas artists would be eager for such international exposure, some mistrust the pre-determined script many reality shows are known to possess, believing it may spell out further US defamation of Venezuela’s socialist leaders.
After being approached by MTV correspondents to represent the pro-Chavez version of events, underground hip hop artist Arena La Rosa announced her refusal on her Facebook page.
“My dignity and my ideas are worth more than a million [page] views, so I have wisely decided not to participate,” the chavista rapper said.
On the same day La Rosa posted her response, the Associated Press released documents detailing the US government’s failed attempt at infiltrating the Cuban hip hop scene, by way of the developmental organization USAID.
According to the AP, Washington had sought to build a network of young people seeking “social change” to spark a resistance movement against the government of Cuban president Raul Castro.
Incidentally, Maduro has accused numerous opposition leaders of attempting the same kind of subterfuge during February’s unrest. A committee of victims and their families has even assembled to seek justice from those public figures who they believe encouraged such extreme tactics.
Meanwhile, Venezuela will have to wait for the MTV segment to be released to understand how their high-stakes reality will be adapted to meet the lofty demands of broadcast entertainment.